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Albers, Josef (1975). Interaction of Color. New Haven: Yale University PressISBN 978-0-300-11595-6.

 

Alberti, Leon Battista. On Painting. Penguin Books, London, 1991

 

Bouleau, Charles, The Painter's Secret Geometry.  New York:  Harcourt, Brace & World, Inc.,  1963.

Da Vinci, Leonardo, A Treatise on Painting, translated from the Italian with an introduction by John Francis Rigaud. London: J.B. Nichols and Son, 25, Parliament Street, 1835.

 

Doerner, Max, The Materials of the Artist. New York: Harcourt, Brace,& World, Inc.

Eastlake, Sir Charles Lock, Methods and Materials of Painting of the Great Schools and Masters. New York: Dover Publications.

Edwards, Betty, Drawing on the Right Side of the Brain. Los Angeles: J.P. Tarcher Inc., 1979.

Ghyka, Matila, The Geometry of Art and Life. New York: Dover Publications, 1977.

Gilson, Etienne, Painting and Reality. New York: Pantheon Books, 1957.

Hambidgets of Dynamic Symmetry,

Greene, Daniel, Pastel. New York: Watson-Guptill Publications, 1974.

 

Hale, Robert Beverly, and Terence Coyle, Albinus on Anatomy. New York: Dover Publications, 1979.

Hambidge, Jay, The Elements of Dynamic Symmetry. New York: Dover Publications, 1926.

-------- Dynamic Symmetry in Composition. Cambridge, Mass.: 1923.

 

------- Dynamic Symmetry: The Greek Vase.  New Haven: Yale University Press, 1920.

 

Hildebrand, Adolf, The Problem of Form in Painting and Sculpture, translated by Max Meyer and Robert Morris Ogden. New York: G.E. Stechert & Co., 1907.

Judd, Donald, "Specific Objects."  Published in Thomas Kellein, Donald Judd: Early Work, 1955-1968, New York: D.A.P., 2002. Originally published in Arts Yearbook 8, 1965.

Kemp, Martin, editor, Leonardo on Painting. Yale University Press, New Haven and London, 1989.

Lanteri, Edouard, Modelling and Sculpting the Human Figure. New York: Dover 1985.

Laurie. A.P., The Painter's Methods and Materials. New York: Dover Publications

Lucchesi, Bruno, and Malmstrom, Margit, Modeling the Figure in Clay. New York: Watson Guptill, 1996.

MacDonald Wright, Stanton, A Treatise on Color. Los Angeles, 1924.

 

Maroger, Jacques, The Secret formulas and Techniques of the Masters. New York,: Hacker Art Books, 1979.

Massey, Robert, Formulas for Painters. New York: Watson-Guptill Publications, 1967.

Mayer, Ralph, The Artists's Handbook of Materials and Techniques. London: Faber and Faber, 1940

 

--------The Painter's Craft: An Introduction to Artist's Methods and Materials. Princeton: D. Van Nostrand Company, Inc., 1948

 

Pacioli, Luca, On the Divine Proportion, Translated by Dr. Jonathan Tennenbaum, John P. Scialdone, Richard Sanders, 2005.

Panofsky, Erwin. Meaning in the Visual Arts. Penguin Books, London, 1970.

Renner, Paul,  Color Order and Harmony: A Color Theory for Artists and Craftsmen Trans. by Alexander Nesbitt. New York: Reinhold Publishing, 1964.

 

Rich, Jack C.,  The Materials and Methods of Sculpture. New York: Dover Publications, 1974.

Sheppard, Joseph, How to Paint Like the Old Masters.  New York: Watson-Guptill Publications, 1983.

Slobodkin, Louis, Sculpture: Principles and Practice.  New York: Dover Publications1949.

Vasari, Giorgio, Vasari On Technique, Translated by Louisa S. Maclehose. London: J.M. Dent and Co., 1907.

Vitruvius, Ten Books on Architecture, translated by Morris Hickey Morgan. Dover Publications, 1960

Walker, Mark, 'Bouguereau at Work' in William Bouguereau.  Montreal: Montreal Museum of Fine Arts, 1984.

Winckelman Johann, Writings on Art. edited by David Irwin, Phaidon, New York, 1972.

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